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It was a wonderful evening. The hosts were the fine Vienna Storytelling Collective: you can read about the event at their Facebook site. If you are interested in writing, reading, or listening to new talent and live in Vienna, I encourage you to join them.
I started off talking about this blog (NB for some reason the videos are previewed sideways before you click on them; but they appear the right way up when you click “play”).
I recently started a list of e-mails for people who might want to hear about my writing activities – eg my next reading from “Blood Summit” in Vienna on Monday 17 June.
The e-mail list is organised by a company called “Mailchimp”. You can sign up to receive comments here (in theory, a pop-up should appear at this point – do feel free to subscribe if it works!) Or you can e-mail me on firstname.lastname@example.org and I’ll be delighted to add you to the list myself.
I send an edition of “Robert Pimm’s Writing News” rather rarely – over the past 18 months I have sent five of them. They are a good way to stay in touch.
But if you want to stop, you can unsubscribe by clicking on the link in the mail.
If you do sign up, please reward yourself by downloading a free Hotel Story by clicking on the link.
Nice to have you on board!
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I sit down at my desk in Vienna to continue writing my current novel, code-named The Boyfriend. Outside, birds sing in the trees; all is well in the world.
When I start to write, do I reach for my computer? Or for my pen and paper?
Many authors write first drafts direct on their computers, or always write on paper, without thinking too much about which works best. Here are a few things you might want think about.
In 1986 my then-employer acquired its first computer. I was thrilled by the idea that I could move words around on a screen, and only print them out when I was happy with them. It seemed to make the creative process less daunting. I started to write my first novel, Biotime, on that computer the same year – after work, of course.
In this pic I am writing the first draft of a blog direct on an iPad in Austria
In 1987 I bought my first home computer, an Amstrad PCW. Later I bought PCs; then Macs. But over the years, I stopped writing fiction on the screen. I write all my short stories and novels in long-hand.
How do I do that? And why?
How: I like to use a ring-bound A4 pad, (more…)
You are a brilliant writer.
But not everyone realises it yet.
What to do?
One of the great truths of writing is that however brilliant you may be, getting someone to read and appreciate your work requires contact with other human beings. I don’t mean publishers and agents, important as they are; but writers; editors; critics; and other, often annoying, people who give you advice on how to improve, polish and market your fiction.
George Orwell: another inspirational author (see below)
Here are two sources of such contacts.
First, I recently had the good fortune to hear the writer Paul McVeigh reading from his debut novel The Good Son in Izmir (the link goes to a goodreads site with rave reviews). He was inspiring and entertaining, and mentioned his blog, which gets a staggering 40,000+ hits a month. (more…)
I wrote a blog a while back called “how to write“. It was one of my most popular blogs.
Here are two lists of tips from famous authors about “how to write”.
The first list, by George Orwell, is good for style:
- Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
- Never use a long word where a short one will do.
- If it is possible to cut a word out, always cut it out.
- Never use the passive where you can use the active.
- Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
- Break any of these rules sooner than say anything outright barbarous.