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I crave good thrillers. But they are vanishingly rare.
So when I find a book with a compelling plot, rich characters, horrifying jeopardy and seat-edge cliff-hangers, I fall on it like a starving man on a feast.
I am Pilgrim by Terry Hayes is such a thriller – an epic, breathtaking romp from New York to Afghanistan to Bahrain to Gaza to Bodrum to Bulgaria and back. I really enjoyed it.
Here (no spoilers) are some reasons it works well:
- characterisation: the outstanding feature of the novel. Both the bad guy (“The Saracen”) and the protagonist, the US-trained superspy codenamed “Pilgrim” (both Saracen and Pilgrim can also mean “Nomad”), are richly drawn, with enough back story to fill several novels. This can be irritating: the book is so long that some threads of detail disappear (Pilgrim’s drug habit) or reappear without having been described in the first place (the Saracen’s dead wife). But on the whole the characters, including a host of minor players, gleam like diamonds. This makes you care about them;
- action: the action scenes are thrilling. A firefight in an Afghan village, the ghastly deaths of three hostages, the theft of some medical supplies from a heavily-guarded facility – all will have you on the edge of your seat;
- evil: the consequences with which the world – and specifically the US – will threatened if Pilgrim does not succeed in his mission are both credible and horrific. The potential horror is illustrated early on in the book in microcosm, leaving you praying it will not come about on a bigger scale;
- good: Pilgrim has an unerring moral compass which draws sympathy – a bit like Lee Child’s Jack Reacher (links in bold italics are to other posts on this blog). Other characters also have clear moral values. Even “The Saracen” plans his act of evil for reasons which he believes are pure and noble;
- richness: Hayes reaches deep into characters to create insights which enrich and illuminate the book. For example, he creates a Jewish character who has survived the Holocaust and hangs around the Bebelplatz – a memorial to the 1933 book-burning by Nazis in Berlin – to highlight a point: when millions of people, a whole political system, countless numbers of citizens who believed in God, said they were going to kill you – just listen to them. Later, Pilgrim inspires a cynical musician who has lost his mojo to resume his musical career – just in passing. The book is full of warm, fascinating detail;
- I am Pilgrim contains some fine epigrams. I liked Evidence is the name we give to what we have, but what about the things we haven’t found? and If you want to be free, all you have to do is let go;
- The structure of the book is outstanding. Hints from opening chapters flower into relevance hundreds of pages later. For example Pilgrim’s early hatred of the practice of torture by “waterboarding” sets the scene for it to be used later. The early love of an anonymous Geneva banker for his family becomes a key to the resolution;
- The book is rich in cliff-hangers, especially from the mid-way on. You really, really want to know what will happen next.
Another fast-moving thriller – described by Edmund de Waal as “utterly gripping” (more…)
I sit down at my desk in Vienna to continue writing my current novel, code-named The Boyfriend. Outside, birds sing in the trees; all is well in the world.
When I start to write, do I reach for my computer? Or for my pen and paper?
Many authors write first drafts direct on their computers, or always write on paper, without thinking too much about which works best. Here are a few things you might want think about.
In 1986 my then-employer acquired its first computer. I was thrilled by the idea that I could move words around on a screen, and only print them out when I was happy with them. It seemed to make the creative process less daunting. I started to write my first novel, Biotime, on that computer the same year – after work, of course.
In this pic I am writing the first draft of a blog direct on an iPad in Austria
In 1987 I bought my first home computer, an Amstrad PCW. Later I bought PCs; then Macs. But over the years, I stopped writing fiction on the screen. I write all my short stories and novels in long-hand.
How do I do that? And why?
How: I like to use a ring-bound A4 pad, (more…)
So. The rather awesome J K Rowling wrote swathes of the “Harry Potter” series in cafes in Edinburgh.
Can other writers do this?
With iPad at the Wolfgangsee.
When I am writing major pieces – such as a novel – I write in longhand, in an A4 pad. While typing straight onto a keyboard is in theory quicker, I find sitting staring at a screen for long periods makes my brain melt. Making quick amendments to what you have already written is also clumsier, and slower, on a computer.
By contrast, on my A4 paper pad I am constantly making amendments, (more…)