Robert Pimm

Home » Existential - and women » 5 ways my novel Biotime shows wealth and creativity can’t mix

5 ways my novel Biotime shows wealth and creativity can’t mix

You know that stereotype of the starving artist in a garret producing a masterpiece?

It appeals to starving artist types.  It also appeals to comfortable well-off types who think that maybe if they were skinnier and hungrier they’d be creative too.

All I need is a garret to be the next Toulouse-Lautrec/Stevie Smith/[fill in name]!

Like many stereotypes there’s a grain of truth in it.  But why?

You can find a philosophical and intellectually robust exposition of why wealth and creativity don’t mix in my novel Biotime.

Biotime Cover

You can read the first part of the novel in full on this site.  The whole novel is not yet available (I’m in discussion with a publisher).  So for now, here’s a summary of 5 ways Biotime shows wealth and creativity can’t mix:

1.  There’s an old-fashioned right-wing argument that concentrating wealth in a few hands helps the world.  Logic: wealth goes to the most talented.  This idea surfaces in the classic, scary sci-fi novellas The Marching Morons and The Little Black Bag.  The rich, supposedly, can use wealth most wisely because they are wisest.  The hyper-capitalist world of Biotime demolishes that argument.

2.  It is human nature to display your wealth; not to spend it to better people’s lives.  Why buy a watch which costs $50,000 which tells the time no better than ones which cost $50?  In my view, the most important thing for everyone on earth is to persuade themselves that their existence has meaning.  Sadly many of us are persuaded that the best way is conspicuous consumption “I display wealth, therefore I am“.  Biotime takes this to extremes as the mega-rich compete to find ways to engage in ever more time-intensive leisure activities – including a whole subculture of standing in line waiting for London buses.

NB this does raise the question of what “bettering people’s lives” means.  I like the quote attributed to the late great George Best – a fine example of a short but fantastically creative life: I spent a lot of money on booze, birds and fast cars.  The rest I just squandered.

3.  It’s human nature to think that if you are wealthy you must somehow be worth that money.  The rest of society can fall into the trap – eg by asking celebrities who are brilliant at acting, or appearing on reality TV shows, their views on current affairs.  Of course there are glorious exceptions – eg the great work done by Angelina Jolie on preventing war zone violence against women.

4.  There are millions of examples of artists who produce a masterpiece and then go off the boil.  Sadly that includes many novelists whose first book (only) is wonderful.  That’s why I worship writers like the awesome Michael Connelly, whose novels remain brilliant over the years.  Biotime shows what happens when that principle applies to entire societies – including the US, the UK – and even Europe – once you have everything, how can you be motivated to achieve more?

5. Most important – and most dangerous – history shows us that the primary focus of the rich will always be to keep hold of what they’ve got. Cleptocratic societies are glaring examples.  But one can argue this applies to any society.  Biotime shows what cataclysms can result when entrenched vested interests see their monopoly on power and wealth threatened – and just how far they will go to defend the status quo.  It’s going to be bloody.

If you like the sound of all this, check out Biotime on this site, beginning with Episode 1 and the poor, fated Lumusi Jones.  Or you can read the whole thing so far, also on this site.

You can read more about some of these themes in my blog post: 7 ways my sci-fi novel Biotime explains the meaning of life.

It all adds up to one of the finest and most enjoyable philosophical enquiries of all time.  I hope you enjoy it; and will read the whole novel when it’s published.

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